Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010. A Sabra and Chatila massacre's survivor.

Chatila camp, Beirut, Lebanon, 2010. A Sabra and Chatila massacre's survivor.

Chatila camp, Beirut, Lebanon, 2010. A Sabra and Chatila victim's portrait.

Chatila camp, Beirut, Lebanon, 2010. A Sabra and Chatila massacre's survivor.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Beirut, Lebanon, 2010. A Sabra and Chatila massacre's survivor.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Gaza Hospital, Chatila camp, Beirut, Lebanon, 2010.

Chatila camp, Beirut, Lebanon, 2010.

Borj Shemali camp, Tyre, Lebanon, 2010.

Borj Shemali camp, Tyre, Lebanon, 2010.

Borj Shemali camp, Tyre, Lebanon, 2010.

Borj Shemali camp, Tyre, Lebanon, 2010.

Lebanon, 2010.

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Lebanon/Palestinian refugees

06-img_3675"L'amore e la morte. Ne scrivi uno e l'altro subito accorre a completare la coppia. Ho dovuto andare a Shatila per cogliere l'oscenità dell'amore e l'oscenità della morte. In ambedue i casi, i corpi non hanno più niente da nascondere: posizioni, contorcimenti, gesti, segni, anche i silenzi appartengono all'uno e all'altro mondo". Quattro ore a Shatila, Jean Genet

"Love and death. I just write one and the other rushes to complete the pair. I had to go to Shatila to catch the obscenities of love and the obscenity of death. In both cases, the bodies have nothing to hide: positions, contortions, gestures, signs, even the silences belong to one and the other world". Four hours in Shatila, Jean Genet